First of the roll

There’s something raw and unpredictable about the very first frame of a film roll. Sometimes burned, sometimes half-exposed, sometimes strangely perfect—these images feel like accidents, but in the best possible way.

This series celebrates the chaos of analog imperfection. Light leaks, color shifts, ghostly overlays—each shot a wild mix of intention and surprise. It’s photography at its most experimental: flawed, spontaneous, and full of unexpected beauty. The first frame doesn’t wait for perfection—it just happens.